To start this second part of the Velazquez Prize, a myth must be dispelled. Reference to Velazquez should not come as part of an examination of Impressionism. Artists, today, wrongly think they are Impressionists simply because they use a painterly or rough approach to brushstrokes on a canvas. The use of broad brushstrokes does not … Continue reading
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Reflections on Jews in America
Jewish history astonishes those who do not realize the length and scale of its scope. One might begin studying Moses leading his people out of Egypt in what is called the Exodus, receiving the Commandments, and wandering in the desert. Yet Jews have wandered as a result of oppression from ancient times to the present. … Continue reading
Hals and Rembrandt
On July 26, 1581, independence issued forth among the Low Countries and a birth of freedom swept through the lands. The beginning acts of the Eighty Years War began to loosen the hold of Catholic dogmatism and repression. The influence of Philip II of Spain, a devout Catholic, faded and dissipated among the Calvinist Dutch, releasing … Continue reading
Judith and Her Maidservant: a Brief Examination
Artemisa Gentileschi was born into an artistic family in 1593. Her father, Orazio Gentileschi (1563 – 1639), was an accomplished painter who worked to decorate many major churches in Italy. His influence and training of Artemisia greatly determined her artistic direction. Yet Orazio, a follower of Caravaggio, spread his influence to Artemisia, and … Continue reading