In the last part of the critical examination of the Hockney’s book Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters, I looked at the intricate patterns on drapery that were seemingly precisely integrated with the fabrics’ folds and bends. I came to the conclusion that such precision was possible due to proper training … Continue reading →

I am currently undertaking another reading of David Hochney’s Secret Knowledge, Rediscovering the Lost Techniques of the Old Masters, a book that puts forth that optical devices were widely used in the production of art work going back to the Renaissance. He introduces us to drawings and a painting by Ingres, a painting by Bronzino, … Continue reading →